Indicative Content |
Technique
To acquire technical stability and an understanding of vocal resonance, qualities and systems through individually tailored exercises
|
Analysis
Analysis of era-specific musical theatre repertoire identifying different techniques required for legit and contemporary vocal styles
|
Repertory Studies
Study of musical theatre song forms and types appropriate to a specific era for both legit and contemporary styles
|
Performance Skills
Growing ability to integrate technical singing skills with other performance skills, such as storytelling, acting through song and use of appropriate movement
|
Vocal Wellness
Continued awareness and development of vocal wellness measures for solo and ensemble performance
|
Reflective Practice
Reflect on learning research and individual practice through weekly submission on Canvas
|
The University reserves the right to alter the nature and timings of assessment
Module Resources
|
Recommended Book Resources |
---|
-
Norman Spivey, Mary Saunders-Barton. (2018), Cross-Training in the Voice Studio: A Balancing Act, Plural Publishing Inc, [ISBN: 978-163550037].
-
Gillyanne Kayes. (2007), Singing and the Actor, A & C Black, p.208, [ISBN: 9780713668230].
|
Supplementary Book Resources |
---|
-
Joan Melton. (2007), Singing in Musical Theatre, Allworth Press, p.240, [ISBN: 9781581154825].
-
Scott McMillin. (2014), The Musical as a Drama, Princeton University Press, p.250, [ISBN: 0691164625].
-
Richard Kislan. (1996), The Musical;Alook at American Musical Theatre, Applause Theatre Book Publishers, p.272, [ISBN: 9781557832177].
-
Robert Gordon. (2016), British Musical Theatre since 1950, Bloomsbury Metheun Drama, p.288, [ISBN: 9781472584366].
|
This module does not have any article/paper resources |
---|
This module does not have any other resources |
---|