Module Details
| Module Code: |
ARTS7039 |
| Title: |
Hybrid Printmaking
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Long Title:
|
Hybrid Printmaking
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| NFQ Level: |
Intermediate |
| Valid From: |
Semester 1 - 2022/23 ( September 2022 ) |
| Field of Study: |
2110 - Visual Arts
|
| Module Description: |
This module explores printmaking in visual art as a means of extending the learner's vocabulary. There will be a series of workshops in methods and techniques investigating the creative potential of the print. This module focuses on development of concept and ideas through an understanding of Fine Print.
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| Learning Outcomes |
| On successful completion of this module the learner will be able to: |
| # |
Learning Outcome Description |
| LO1 |
Combine traditional processes with new media to produce a hybrid print. |
| LO2 |
Identify the medium and processes involved in the production of a wide range of prints and apply processes with proficiency and confidence. |
| LO3 |
Work safely with specialist printmaking equipment, facilities and materials. |
| LO4 |
Explain print in a fine art context in relation to conventional practices in contemporary art practice. |
| LO5 |
Develop research, and critical process and language through print based practices. |
| Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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| No incompatible modules listed |
Co-requisite Modules
|
| No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
|
| no requirements listed |
| Indicative Content |
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Research
Introduction to print as a means for extending visual vocabulary. This will include working together in groups, developing a critical underpinning of individual student practice using personal source material which is developed within printmaking workshops.
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Using the Multiple.
Introduction to the practice of producing multiples, registration, preparing the press, inking, wiping, pulling proofs, reworking plates, finishing prints and editioning.
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Group Critique
Critical and contextual group discussions centred on a range of traditional and non-traditional visual art print practices.
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Module Content & Assessment
|
| Assessment Breakdown | % |
|---|
| Coursework | 100.00% |
Assessments
| No End of Module Formal Examination |
| Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
|
The University reserves the right to alter the nature and timings of assessment
Module Workload
| Workload: Full Time |
| Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
| Directed Learning |
Non Contact |
Workshop/Studio |
Every Week |
4.00 |
4 |
| Independent & Directed Learning (Non-contact) |
Non Contact |
Independent Study |
Every Week |
3.00 |
3 |
| Total Hours |
7.00 |
| Total Weekly Learner Workload |
7.00 |
| Total Weekly Contact Hours |
0.00 |
| Workload: Part Time |
| Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
| Lecturer-Supervised Learning (Contact) |
Contact |
Workshop/Studio |
Every Week |
4.00 |
4 |
| Independent & Directed Learning (Non-contact) |
Non Contact |
Independent Study |
Every Week |
3.00 |
3 |
| Total Hours |
7.00 |
| Total Weekly Learner Workload |
7.00 |
| Total Weekly Contact Hours |
4.00 |
|
Module Resources
|
| Recommended Book Resources |
|---|
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Claire Bishop. (2005), Installation Art, Routledge New York, [ISBN: 9780415974127].
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Megan Fishpool. (2009), Hybrid Prints, Printmaking Handbooks, [ISBN: 9780713686500].
| | Supplementary Book Resources |
|---|
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Julia Ayres. (1991), Monotype, Watson-Guptill, New York, [ISBN: 0823031284].
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Ann d'Arcy Hughes, Hebe Vernon-Morris. (2008), Printmaking: Traditional and Contemporary Techniques, Rotovision, [ISBN: 9782888933489].
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Ann d'Arcy Hughes, Hebe Vernon-Morris. (2008), The Printmaking Bible, Chronicle Books, [ISBN: 9780811862288].
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Robert Adam and Carol Robertson. (2003), Screenprinting, Thames & Hudson, London, [ISBN: 0500284253].
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Sarah Bodman. (2005), Creating artists' books, A. & C. Black, London, [ISBN: 0713665092].
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Paul Croft. (2003), Plate Lithography, A. & C. Black, London, [ISBN: 0713657979].
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Paul Croft. (2001), Stone Lithography, A. & C. Black, London, [ISBN: 0713650567].
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Richard Noyce. (2006), Printmaking at the Edge, A. & C. Black, London, [ISBN: 0713667842].
| | Supplementary Article/Paper Resources |
|---|
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Printmaking Today, Periodical.
| | Other Resources |
|---|
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website, Artist Resource,
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website, Artist Resource,
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website, Centre for Contemporary Printmaking. Contemporary Printmaking,
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website, Pressing Matters Mag,
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