Module Details
Module Code: |
MUSC7005 |
Title: |
Core Musicianship Skills 4
|
Long Title:
|
Core Musicianship Skills 4
|
NFQ Level: |
Intermediate |
Valid From: |
Semester 1 - 2022/23 ( September 2022 ) |
Field of Study: |
2121 - Music & Performing Arts
|
Module Description: |
This module further develops key musicianship skills integrating perceptual, practical and analytical skills in a performance-based practicum.
|
Learning Outcomes |
On successful completion of this module the learner will be able to: |
# |
Learning Outcome Description |
LO1 |
Recognise key melodic, harmonic, textural, formal and stylistic features in a performance of a musical extract |
LO2 |
Perform and memorise a range of songs and partsongs |
LO3 |
Apply the diatonic relationships in major and minor keys to the harmonisation of melody
and bass lines |
LO4 |
Prepare and lead a vocal warmup suitable for an amateur choir |
LO5 |
Conduct a short unison choral work |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
|
13919 |
MUSC7004 |
Core Musicianship Skills 3 |
17534 |
MUSC7005 |
Core Musicianship Skills 4 |
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
|
No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
|
No requirements listed |
Indicative Content |
Aural Skills
Promoting the continued refinement of the skills of sightreading, memorisation, inner hearing and aural awareness to develop a sensitivity to style and a confidence in identification and description of key features of C17 and 18 composition using appropriate terminology. The reproduction vocally and in written form of a two-part passage.
|
Conducting
Fundamentals of conducting (presentation, baton hold, patterns [2 - 4], starting and stopping); intermediate conducting technique (use of the non-baton hand, extended patterns [5 and 6], subdivisions and visual communication); basic vocal practice (posture, breathing and tone).
|
Analysis and Compositional Skills
An examination of the harmonic relationships and resources available in a diatonic context and realisation of bass lines.
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Module Content & Assessment
|
Assessment Breakdown | % |
Coursework | 80.00% |
End of Module Formal Examination | 20.00% |
Assessments
End of Module Formal Examination |
|
Reassessment Requirement |
Repeat examination
Reassessment of this module will consist of a repeat examination. It is possible that there will also be a requirement to be reassessed in a coursework element.
|
The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Tutorial |
Contact |
Aural skills |
Every Week |
1.00 |
1 |
Lecture |
Contact |
Analysis and compositional skills |
Every Week |
1.00 |
1 |
Tutorial |
Contact |
Analysis and compositional skills |
Every Week |
0.50 |
0.5 |
Lab |
Contact |
Conducting |
Every Week |
1.00 |
1 |
Independent & Directed Learning (Non-contact) |
Non Contact |
Private study |
Every Week |
3.50 |
3.5 |
Total Hours |
7.00 |
Total Weekly Learner Workload |
7.00 |
Total Weekly Contact Hours |
3.50 |
This module has no Part Time workload. |
Module Resources
|
Recommended Book Resources |
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-
Bowman, David and Paul Terry. (1993), Aural Matters: A Student's Guide to Aural Perception at Advanced Level, ED 12430. Schott, London, [ISBN: 9780946535224].
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Gjerdingen, Robert O.. (2007), Music in the Galant Style, Oxford University Press, Oxford, [ISBN: 9780195313710].
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Piston, Walter and Mark de Voto. (1988), Harmony, 5th. W. W. Norton and Co., New York, [ISBN: 9780393954807].
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Seaman, Christopher. (2013), Inside Conducting, University of Rochester Press, New York, [ISBN: 9781580464116].
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Wigglesworth, Mark. (2019), The Silent Musician: Why Conducting Matters, Faber & Faber, London, [ISBN: 9780571337910].
| Supplementary Book Resources |
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-
Forrai, Miklós (Ed.). (1977), Ezer Év Kórusa (Thousand Years of Choral Music), Editio Musica, Budapest, [ISBN: 9790080052723].
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Pratt, George. (2006), Aural Awareness: Principles and Practice, Oxford University Press, Oxford, [ISBN: 9780198790211].
| This module does not have any article/paper resources |
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Other Resources |
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Tuning fork, A 440.
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website, International Music Score Library
Project,
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