Module Details
Module Code: |
MUSC7028 |
Title: |
Acting for Musical Theatre 3
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Long Title:
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Acting for Musical Theatre 3
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NFQ Level: |
Intermediate |
Valid From: |
Semester 1 - 2023/24 ( September 2023 ) |
Field of Study: |
2121 - Music & Performing Arts
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Module Description: |
This module will extend flexibility, modulation, adaptation and sensitivity of the voice, and develop the learner's approach to characterisation and performance through the work of Michael Chekhov.
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Learning Outcomes |
On successful completion of this module the learner will be able to: |
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Learning Outcome Description |
LO1 |
establish a personalised vocal and physical warm up |
LO2 |
observe good practice in vocal and physical care |
LO3 |
explore the expressive potential of the voice, by applying it to a broad range of texts and performance spaces |
LO4 |
apply Michael Chekhov's techniques and theories to practice |
LO5 |
explain and document acting coursework |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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No requirements listed |
Indicative Content |
Warm-up
Development of an individualised vocal and physical warm up
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Vocal and Physical Care
An awareness of good practice in vocal and physical care
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Vocal Development - Articulation, Projection and Responsiveness
Increased clarity of vocal expression at advanced tempi and in relation to complex rhythms, and heightened physical and emotional impulses. The development of precision in placement and projection of the voice when working in particular performance spaces
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Michael Chekhov in Context
An overview of Chekhov's approach and his place in theatre history
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Michael Chekhov in Rehearsal
Michael Chekhov's rehearsal methods - Psychological Gesture, Movement Dynamics and the Unconscious Creative Self
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Reflection/Blogging
Weekly journal entries documenting process and outcomes of this work
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Module Content & Assessment
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Assessment Breakdown | % |
Coursework | 100.00% |
Assessments
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
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The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecturer-Supervised Learning (Contact) |
Contact |
twice weekly atelier class |
Every Week |
4.00 |
4 |
Independent Learning |
Non Contact |
Personal research, reading, and practice |
Every Week |
3.00 |
3 |
Total Hours |
7.00 |
Total Weekly Learner Workload |
7.00 |
Total Weekly Contact Hours |
4.00 |
This module has no Part Time workload. |
Module Resources
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Recommended Book Resources |
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Sinead Rushe. (2016), The Michael Chekhov's Acting Technique: a Practitioner's Guide, Methuen Drama, London, [ISBN: 1408156881].
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Linklater, Kristin. (2006), Freeing The Natural Voice, ed. Nick Hern, London, [ISBN: 1854599712].
| Supplementary Book Resources |
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Marie-Christine Aautant-Mathieu & Yana Meerzon. (2017), The Routledge Companion to Michael Chekhov, Routledge, London, [ISBN: 1138224810].
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Chekhov, Michael. (2014), To the Actor: On The Technique of Acting, Martino, London, [ISBN: 1614276593].
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Berry, Cicely. (2007), From Word to Play, Oberon, London, [ISBN: 978184002601].
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Chamberlain, Frank. (2019), Michael Chekhov, 2nd. Routledge, [ISBN: 9781138599260].
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Hodge, Alison. (2000), Twentieth Century Actor Training, Routledge, London, [ISBN: 041519451].
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Checkhov. (2005), The Path of the Actor, Routledge, London, [ISBN: 0415343666].
| This module does not have any article/paper resources |
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Other Resources |
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Website, The Kirstin Linklater Voice Centre,
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Website, Arts Journal,
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CD and Book, On Theatre and the Art of Acting, Applause Books,
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Website, Digital Theatre Masterclass Series. The Michael Chekhov Techniques,
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