Module Details
Module Code: |
MUSC8106 |
Title: |
Acting for Musical Theatre 5
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Long Title:
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Acting for Musical Theatre 5
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NFQ Level: |
Advanced |
Valid From: |
Semester 1 - 2023/24 ( September 2023 ) |
Field of Study: |
2121 - Music & Performing Arts
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Module Description: |
This module will expand the range, clarity and strength of the actor's voice and movement skills, introduce performance of dramatic texts in monologue and duologue format, and develop the learners exploration of characterisation and performance approaches, introducing the work of Peter Brook and other relevant practitioners.
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Learning Outcomes |
On successful completion of this module the learner will be able to: |
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Learning Outcome Description |
LO1 |
demonstrate an advanced level of physical, vocal and performance skills |
LO2 |
take responsibility for the development and assessment of their own acting skills |
LO3 |
display an imaginative and insightful approach to the use of various rehearsal techniques in performance |
LO4 |
demonstrate an informed and creative ability to apply performance theories to practice |
LO5 |
critically reflect on both their own performance and those of others |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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No requirements listed |
Indicative Content |
Voice
Expand the range, clarity, strength and flexibility of the actor's voice
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Movement
Exercises to enable the student to achieve artistic expression, unharnessed by habitual thinking or physical blocks e.g. the work of Vanessa Ewan & Debbie Green, and Dympna Callery
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Dramatic Literature
A variety of performance literature from different periods and styles e.g. Shakespeare, Oscar Wilde, Dennis Kelly, Enda Walsh, Arthur Miller, David Mamet, Conor McPherson, Marina Carr, Tennessee Williams
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Peter Brook - Performance Practice
Exploration of a variety of performance practices including those of Peter Brook drawing on past publications such as 'The Empty Space' and the more recent 'Tip of theTongue - Reflections on Language and Meaning'
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Critical Reflection
Critically reflect on coursework including working practices and modes of rehearsal
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Module Content & Assessment
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Assessment Breakdown | % |
Coursework | 100.00% |
Assessments
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
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The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecturer-Supervised Learning (Contact) |
Contact |
Twice-weekly atelier class |
Every Week |
4.00 |
4 |
Independent Learning |
Non Contact |
Individual research, reading and practice |
Every Week |
3.00 |
3 |
Total Hours |
7.00 |
Total Weekly Learner Workload |
7.00 |
Total Weekly Contact Hours |
4.00 |
This module has no Part Time workload. |
Module Resources
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Recommended Book Resources |
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Linklater, Kirstin. (2006), Freeing The Natural Voice, 2nd. Nick Hern, London, [ISBN: 1854599712].
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Peter Brook. (2017), Tip of the Tongue: Reflections on Language and Meaning, Nick Hern Books, London, [ISBN: 1848426720].
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Ewan, Vanessa & Green, Debbie. (2014), Actor Movement: Expression of the Physical Being, Bloomsbury Methuen Drama, London, [ISBN: 978140813441].
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Brook. (1990), The Empty Space, Penguin, London, [ISBN: 0140135839].
| Supplementary Book Resources |
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Brook, Peter. (2005), There Are No Secrets: Thoughts on Acting and Theatre, New Edition. Methuen, London, [ISBN: 0410135839].
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Dympna Callery. (2001), Through the Body, Nick Hern Books, London, [ISBN: 1854596306].
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Hodge, Alison. (2010), Actor Training, 2nd Edition. Routledge, London, [ISBN: 9780415471688].
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Schechner, R. (2013), Performance Studies: An Introduction, 3rd Edition. Routledge, London, [ISBN: 9780415502313].
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Williams, D. (1988), Peter Brook: A Theatrical Casebook, Methuen, London, [ISBN: 0413157008].
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Brook, Peter. (1989), The Shifting Point, Methuen, London, [ISBN: 0413612805].
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Oida, Y. (2002), An Actor Adrift, Methuen, London, [ISBN: 0413658406].
| This module does not have any article/paper resources |
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Other Resources |
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Website, The Kirstin Linklater Voice Centre,
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Website, Inquiries Journal. Inquiries Journal, Social Sciences, Arts
& Humanities,
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Website, Theatre & Performance,
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Website, Ewan & Green. Actor Movement: Expression of the
Physical Being,
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