Module Details
Module Code: |
ARTS8023 |
Title: |
Fine Art: Enquiry & Practice
|
Long Title:
|
Visual Art: Enquiry & Practice
|
NFQ Level: |
Advanced |
Valid From: |
Semester 1 - 2020/21 ( September 2020 ) |
Field of Study: |
2110 - Visual Arts
|
Module Description: |
This module facilitates synthesis of practical, theoretical and conceptual learning and its concerns and content are largely common to all major art disciplines. Emphasis within this module is placed on developing approaches to structured research and visual investigation that informs and directs the creation of effective artworks. The development of an individual studio discipline and practice is intrinsic to this module.
|
Learning Outcomes |
On successful completion of this module the learner will be able to: |
# |
Learning Outcome Description |
LO1 |
Develop an area of personal, visual and conceptual enquiry based on focused research and structured visual investigation. |
LO2 |
Create a series of art works that successfully utilize material, visual methodology and medium to communicate its message. |
LO3 |
Engage in critical dialogue with their peers through active participation in structured seminars and discussion groups. |
LO4 |
Demonstrate independence in their own practice and evidence research into their practice's wider context and concerns. |
LO5 |
Demonstrate an appropriate level proficiency in the manipulation of materials and media. |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
|
|
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
|
No incompatible modules listed |
Co-requisite Modules
|
No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
|
No requirements listed |
Indicative Content |
Research and Investigation
Research - identification of relevant sources and selection of appropriate information. Interpretation/analysis/evaluation. Practice based investigation.
|
Concept
Conceptual development – establishing and developing a thematic direction. Visual problems – identification, investigation/exploration and resolution.
|
Planning and organisation
Planning - approaches to personal planning and organisation.
|
Practice
Scheduled activities, including formal tutorials, seminars and critiques present learning opportunities that are essential to the effective development of individual studio practice.
|
Process
Process – process and materials - selection and use. Health and safety in studio.
|
Module Content & Assessment
|
Assessment Breakdown | % |
Coursework | 100.00% |
Assessments
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
|
The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecture |
Contact |
Presentation/lecture to class group |
Every Week |
1.50 |
1.5 |
Lab |
Contact |
Group Crit/Seminar/Workshop (1:15) |
Every Week |
3.00 |
3 |
Tutorial |
Contact |
Studio tutorial 1:1 |
Every Week |
0.50 |
0.5 |
Independent & Directed Learning (Non-contact) |
Non Contact |
Research and development of studio practice |
Every Week |
16.00 |
16 |
Total Hours |
21.00 |
Total Weekly Learner Workload |
21.00 |
Total Weekly Contact Hours |
5.00 |
Workload: Part Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecture |
Contact |
Presentation/Lecture to Class Group |
Every Week |
1.50 |
1.5 |
Lab |
Contact |
Croup Crit/Seminar/Workshop (1:15) |
Every Week |
3.00 |
3 |
Tutorial |
Contact |
Studio tutorial 1:1 |
Every Week |
0.50 |
0.5 |
Independent & Directed Learning (Non-contact) |
Non Contact |
Research and development of studio practice |
Every Week |
16.00 |
16 |
Total Hours |
21.00 |
Total Weekly Learner Workload |
21.00 |
Total Weekly Contact Hours |
5.00 |
Module Resources
|
Supplementary Book Resources |
---|
-
Antony Hudek. (2014), The Object, Whitechaple Gallery, MIT Press, [ISBN: 0262525763].
-
Barry Schwabsky. (2011), Vitamin P2: New Perspectives in Painting – 2011, Phaidon Press, [ISBN: 978-071486160].
-
Barry Schwabsky. (2002), Vitamin P: New Perspectives in Painting – 2002, Phiadon Press, [ISBN: 978-07148444].
-
Margherita Dessanay & Marc Valli.. (2014), A brush with the real, London; Laurence King, p.320 :, [ISBN: 1780672837].
-
Colin Perry, Marina Cashdan. (2013), Vitamin D2 Perspectives in Drawing, Phiadon Press, [ISBN: 0714865281].
-
Mark C Taylor, Amanda Sharp, Matthew Higgs. (2005), Pressplay, Phaidon Press, London, [ISBN: 0714845337].
-
Michael Petry. (2013), Nature Morte: Contemporary artists reinvigorate the Still-Life tradition, Thames and Hudson Ltd, UK, [ISBN: 978050023906].
-
Martin Kemp, Marina Wallace. (2001), Spectacular bodies, 1. University of California Press, Usa, [ISBN: 0520227921].
-
Simon Schama. (1996), Landscape and memory, Vintage, London, [ISBN: 9780679735120].
-
Tony Godfrey. (2014), Painting Today, Phiadon Press, [ISBN: 0714868566].
| Supplementary Article/Paper Resources |
---|
-
Louise Blouin Media, Inc.. (2015), Modern Painters, Modern Painters.
| Other Resources |
---|
-
Website, Tate. (2015), Tate Shots, online, Tate Modern,
|
|