Module Details
Module Code: |
ARTS8048 |
Title: |
Applied Art Exhibition
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Long Title:
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Applied Art Exhibition
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NFQ Level: |
Advanced |
Valid From: |
Semester 1 - 2017/18 ( September 2017 ) |
Field of Study: |
2110 - Visual Arts
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Module Description: |
This module will enable the student to focus research and hone all skills necessary to produce a body of professional standard original work in ceramics, glass and/or textiles for public exhibition.
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Learning Outcomes |
On successful completion of this module the learner will be able to: |
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Learning Outcome Description |
LO1 |
Create an advanced body of work for exhibition. |
LO2 |
Demonstrate key critical, technical and contemporary practice, through their chosen discipline. |
LO3 |
Display assured understanding and development of methodologies appropriate to the realisation of a professional body of work. |
LO4 |
Explore, appreciate and demonstrate the importance of critical discourse in contemporary applied art practice. |
LO5 |
Complete required exhibition preparation documentation including an artist statement, exhibition formulation plans, technical specifications and risk assessment. |
LO6 |
Develop and apply expertise in selection and use of skills, for the clear and effective realisation of the research material. |
LO7 |
Employ in depth exploratory thinking, investigation, visualisation and production of work. |
LO8 |
Review and explore the presentation of work, to a professional standard, for public exhibition. |
LO9 |
Communicate concepts, methodologies, processes and outcomes to peers and practitioners. |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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No requirements listed |
Indicative Content |
Observation, Identification and Selection
Selection, investigation and evaluation of relevant research materials.
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Conceptual development
Identification and understanding of salient issues and their wider significance through critical evaluation and constructive self-reflection
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Studio practice/Health and Safety
Organisation of space and time. Understanding and practicing safe use of materials and equipment.
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Contextual Studies
Thorough investigation and positioning of their work within its historical and contemporary contexts.
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Technical ability
Identification and thorough investigation of material processes, developing the specialised skills necessary for the execution of concepts.
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Documentation
Identification, selection and documentation, through appropriate means.
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Selection and Presentation of Work
Investigation of a comprehensive range of materials and methods of displaying work, leading to a public exhibition.
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Module Content & Assessment
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Assessment Breakdown | % |
Coursework | 100.00% |
Assessments
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
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The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecture |
Contact |
Course Content |
Every Week |
2.00 |
2 |
Lecturer-Supervised Learning (Contact) |
Contact |
Group Crit / Workshop / Tutorial (1:5) |
Every Week |
3.00 |
3 |
Independent & Directed Learning (Non-contact) |
Non Contact |
Research and Development of Studio Practice |
Every Week |
37.00 |
37 |
Total Hours |
42.00 |
Total Weekly Learner Workload |
42.00 |
Total Weekly Contact Hours |
5.00 |
This module has no Part Time workload. |
Module Resources
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Supplementary Book Resources |
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Daniel Rhodes. (1988), Clay and glazes for the potter, second. A & C Black, London, [ISBN: 0-7136-3007-8].
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edited by Garth Clark. (1978), Ceramic art, first. E. P. Dutton, New York, [ISBN: 0525474978].
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Philip Rawson. (1984), Ceramics, first. University of Pennsylvania Press, Philadelphia, [ISBN: 0-8122-1156-1].
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Frank and Janet Hamer. (1986), The potter's dictionary of materials and techniques, second. Black, London, [ISBN: 0-7136-2713-1].
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Paul Rice. British Studio Ceramics, first. Crowood Press, p.240, [ISBN: 1861265298].
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[Betty Blandino]. The figure in fired clay, first. Woodstock [N.Y.] ; Overlook Press, 2002., [ISBN: 1585672629].
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Chambers, Karen S & Oldknow, Tina. (1999), Clearly Inspired- Contemporary Glass and its Origins, Tampa Museum of Art.
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Hawkins Opie, Jennifer. (2004), Contemporary International Glass, Victoria & Albert Museum.
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Oldknow, Tina. (2009), Voices of Contemporary Glass, The Heineman Collection, Hudson Hills Press.
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Bachman, Ingrid and Ruth Scheuing, Eds.. (1998), Material Matters: The Art and Culture of Contemporary Textiles, YYZ Books, Toronto.
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Nadine Monem (Editor). Contemporary Textiles, Black Dog Publishing, p.191, [ISBN: 978-1906155292].
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Various Editors. Art Textiles of the World: Series by Country, Telos Art Publishing, England.
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Various Editors. Portfolio Series: series by Artist, Telos Art Publishing, London.
| Supplementary Article/Paper Resources |
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Periodical, Ceramic Review.
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Periodical, American Ceramics.
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Periodical, Ceramics Art and Perception.
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Periodical, Ceramics Technical.
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Periodical, New Ceramics.
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Periodical, Neues Glas.
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Periodical, Glass House.
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Periodical, Glass: The Urban Glass Quarterly.
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Periodical, New Glass Review Annual.
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Periodical, Surface Design Journal.
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Periodical, Textileforum.
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Periodical, Sculpture.
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Whittey, Dr. Audrey,. (2011), Engaging with Glass, Solstice Arts
Centre, Catalogue.
| Other Resources |
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Website, transition and influence,
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Website, cloth and culture,
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