Module Details

Module Code: MMED6018
Title: Storytelling
Long Title: Storytelling
NFQ Level: Fundamental
Valid From: Semester 1 - 2017/18 ( September 2017 )
Duration: 1 Semester
Credits: 5
Field of Study: 2130 - Multimedia
Module Delivered in: 2 programme(s)
Module Description: This module develops the learners understanding and application of cinematographic principles and
language to tell stories. By addressing short feature or documentary production for example, the module develops the
learner’s ability to function as a storyteller through the use selective capture and editing of material. Thus communicating ideas and information in a structured and coherent manner
 
Learning Outcomes
On successful completion of this module the learner will be able to:
# Learning Outcome Description
LO1 Select appropriate cinematographic production techniques for different genres
LO2 Create a detailed storyboard and/or script for a video production;
LO3 Use a range of camera and editing techniques to compliment narrative style;
LO4 Record/capture quality footage under a range of different circumstances
LO5 Produce a finished piece of video work.
Dependencies
Module Recommendations

This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
No incompatible modules listed
Co-requisite Modules
No Co-requisite modules listed
Requirements

This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
No requirements listed
 
Indicative Content
Storytelling
The basics of storytelling. How stories are structured. The purpose and role of stories in society
Editing & Theory
- Scripting, pre- production, camera techniques; - Montage vs. editing: The shot Montage vs. mis-en-scene Rhythm Continuity vs. “montage of attractions” Picture and sound Emphasis, a synchronism, counterpoint Strategies of montage: perspective, backbone, tone; - Video Post Production; - Non-linear editing.
Storyboarding
The role of the storyboard. Techniques for creating and developing visualisations. The requirements of a storyboards . Their use in production and post production editing.
Practical
The above listed content of the lectures will be accompanied by various hands-on practical assignments designed to convert theoretical knowledge into applied use of cinematographic language.
Module Content & Assessment
Assessment Breakdown%
Coursework100.00%

Assessments

Coursework
Assessment Type Practical/Skills Evaluation % of Total Mark 20
Timing Week 8 Learning Outcomes 2
Assessment Description
Production storyboards
Assessment Type Written Report % of Total Mark 10
Timing Week 9 Learning Outcomes 1
Assessment Description
Project planning documentation
Assessment Type Project % of Total Mark 70
Timing Week 13 Learning Outcomes 3,4,5
Assessment Description
Film/Video project submission
No End of Module Formal Examination
Reassessment Requirement
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.

The University reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full Time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Lecture Contact Cinematic theory (Camera Lighting etc) Every Week 1.00 1
Lab Contact Review and discussion of theory in relation to practical work Every Week 3.00 3
Independent & Directed Learning (Non-contact) Non Contact Work on Planning/Storyboard/ Video Every Week 3.00 3
Total Hours 7.00
Total Weekly Learner Workload 7.00
Total Weekly Contact Hours 4.00
This module has no Part Time workload.
 
Module Resources
Recommended Book Resources
  • Chris Wadsworth. (2016), The Editor's Toolkit A Practical Guide to the Craft of Film and Video Editing, Focal press, p.266, [ISBN: 978113890337].
  • Gael Chandler. (2009), Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know, [ISBN: 1932907629].
  • Karen Pearlman. (2016), Cutting Rhythms Intuitive Film Editing, 2nd Edition, Focal Press, p.264, [ISBN: 978113885651].
Supplementary Book Resources
  • Bruce Block. (2008), The Visual Story, Creating the Visual Structure of Film, TV and Digital Media, [ISBN: ISBN: 9780240807799].
  • Carolyn Handler Miller. Digital storytelling, [ISBN: ISBN: 9780240809595].
  • Rick Young. (2015), The Focal Easy Guide to Final Cut Pro X, 2nd. Focal Press, p.282, [ISBN: 9781138785533].
  • Tom Wolskey. (2012), Final Cut Pro X for iMovie and Final Cut Express Users, Focal Press, p.390, [ISBN: 9780240823669].
This module does not have any article/paper resources
Other Resources
 
Module Delivered in
Programme Code Programme Semester Delivery
CR_HMMED_8 Bachelor of Arts (Honours) in Creative Digital Media 4 Elective
CR_HPHNM_8 Bachelor of Arts (Honours) in Photography with New Media 4 Elective