Module Details
Module Code: |
ARTS8041 |
Title: |
Fine Art Print: Production
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Long Title:
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Fine Art Print: Production
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NFQ Level: |
Advanced |
Valid From: |
Semester 1 - 2017/18 ( September 2017 ) |
Field of Study: |
2110 - Visual Arts
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Module Description: |
This module is designed to provide students with an opportunity to focus on an area of research and establish an individual printmaking practice with a complete body of work.
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Learning Outcomes |
On successful completion of this module the learner will be able to: |
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Learning Outcome Description |
LO1 |
Research,develop and explore suitable and relevant concepts and ideas that can utilise advanced printmaking process. |
LO2 |
Plan and design a program of individual research within a technical printmaking framework. |
LO3 |
Situate their critical concerns in studio through presentation and critique. |
LO4 |
Plan and promote an exhibition as part of a team. |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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No requirements listed |
Indicative Content |
Personal Print Project
The chosen area of study may be to investigate new ideas, to explore personal research and/or new techniques in the print medium or as an adjunct to an existing area of study. Students must choose an area of research and plan a development/production schedule in conjunction with the lecturer. Emphasis is placed on self-motivation and exploring personal research and development methodologies towards establishing an ongoing personal practice
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Requirements
Outline of the proposed activity and a schedule of critiques must be presented by each student for approval. This will be supported by; relevant technical demonstrations /workshops and slide show presentations introducing the work of contemporary artists. The group will also be brought together for group seminars and critiques of the student’s work in progress.
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Module Content & Assessment
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Assessment Breakdown | % |
Coursework | 100.00% |
Assessments
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
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The University reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lab |
Contact |
Print Studio |
Every Week |
3.00 |
3 |
Independent & Directed Learning (Non-contact) |
Non Contact |
Studio |
Every Week |
4.00 |
4 |
Total Hours |
7.00 |
Total Weekly Learner Workload |
7.00 |
Total Weekly Contact Hours |
3.00 |
This module has no Part Time workload. |
Module Resources
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Supplementary Book Resources |
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Bonny Pierce Lhotka,. (2010), Digital Alchemy: Printmaking techniques for fine art, photography, and mixed media, [ISBN: 0321732995].
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Dorit Elisha. (2009), Printmaking + Mixed Media, [ISBN: 9781596680951].
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Claire Bishop. (2005), Installation art,, Routledge, New York, [ISBN: 9780415974127].
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Megan Fishpool. (2009), Hybrid Prints, printmaking handbooks, [ISBN: 9780713686500].
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Ron Reeder,. (2006), Digital Negatives, Brad Hinkel, [ISBN: 0240808541].
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Keith Howard. (2003), The contemporary printmaker., Write-Cross New York, [ISBN: 0974194603].
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Blanche Craig. (2010), Paul Coldwell, Printmaking A contemporary Perspective, [ISBN: 9781906155438].
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Jonathan O'Hara Gallery. (2007), Robert Rauschenberg, [ISBN: 0974075140].
| This module does not have any article/paper resources |
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Other Resources |
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website, Center for Contemporary Print Resource,
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website, Conference Resource,
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website, Artist Resource,
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website, Artist Resource,
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website, Online art magazine,
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