Module Details
| Module Code: |
ARTS8040 |
| Title: |
Fine Art Print: Critique
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Long Title:
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Fine Art Print: Critique
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| NFQ Level: |
Advanced |
| Valid From: |
Semester 1 - 2017/18 ( September 2017 ) |
| Field of Study: |
2110 - Visual Arts
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| Module Description: |
In this module the learners can expect to develop an advanced understanding of digital print and traditional print process within the context of fine art.
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| Learning Outcomes |
| On successful completion of this module the learner will be able to: |
| # |
Learning Outcome Description |
| LO1 |
Work independantly and safely with specialist printmaking equipment, facilities and materials. |
| LO2 |
Display confidence and act effectively with qualified printmakers and peer. |
| LO3 |
Develop and conceive ideas within a fixed time constraint in the printworkshop. |
| LO4 |
Plan a research programme and technical study on an individual print practice . |
| LO5 |
Experiment with a range of specialist and transferable skills appropriate to their chosen work or research. |
| Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
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| No incompatible modules listed |
Co-requisite Modules
|
| No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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| No requirements listed |
| Indicative Content |
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Research
Critical and contextual group discussions centred around a range of contemporary print practices.
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Print Processes
Advanced Practical technical demonstrations and workshops exploring a range of processes. The learner will develop a range of creative, conceptual and technical skills.
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Materials
Introduction to a range of materials for use in conjunction with scanners, large format printer, computers and workshop printing equipment, to facilitate development of creative process.
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Module Content & Assessment
|
| Assessment Breakdown | % |
|---|
| Coursework | 100.00% |
Assessments
| No End of Module Formal Examination |
| Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
|
The University reserves the right to alter the nature and timings of assessment
Module Workload
| Workload: Full Time |
| Workload Type |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
| Lecturer-Supervised Learning (Contact) |
Contact |
Print studio |
Every Week |
3.00 |
3 |
| Independent & Directed Learning (Non-contact) |
Non Contact |
studio independent study |
Every Week |
4.00 |
4 |
| Total Hours |
7.00 |
| Total Weekly Learner Workload |
7.00 |
| Total Weekly Contact Hours |
3.00 |
| This module has no Part Time workload. |
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Module Resources
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| Supplementary Book Resources |
|---|
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Blanche Craig (Editor). (2010), Printmaking, Black Dog Publishing, p.192, [ISBN: 9781906155438].
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Megan Fishpool. (2009), Hybrid Prints, A & C Black Publishers Ltd, p.144, [ISBN: 9780713686500].
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Julia Ayres. (1991), Monotype, Watson-Guptill, New York, [ISBN: 0823031284].
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Mychael Barratt. (2001), Intaglio Printmaking, A&C Black, p.128, [ISBN: 0713673885].
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Ann d'Arcy Hughes, Hebe Vernon-Morris. (2008), The Printmaking Bible, Chronicle Books, [ISBN: 9780811862288].
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Keith Howard; [contributions from, Friedhard Kiekeben... et al.]. (2003), The contemporary printmaker, Write-Cross, New York, [ISBN: 0974194603].
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Robert Adam and Carol Robertson. (2003), Screenprinting, Thames & Hudson, London, [ISBN: 0500284253].
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Sarah Bodman. (2005), Creating artists' books, A & C Black, London, [ISBN: 0713665092].
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Paul Croft. (2003), Plate lithography, A & C Black, London, [ISBN: 0713657979].
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Richard Noyce. (2006), Printmaking at the edge, A. & C. Black, London, [ISBN: 0713667842].
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Gill Saunders, Rosie Miles. (2006), Prints Now, Victoria and Albert Museum, p.144, [ISBN: 1851774807].
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Aimee Selby. (2009), Art and Text, Black Dog Publishing, [ISBN: 190155658].
| | Supplementary Article/Paper Resources |
|---|
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Printmaking Today,, Periodical.
| | Other Resources |
|---|
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website, Printmaking Resource,
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website, Printmaker Resource,
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