MUSC8094 - Arranging 4

Module Details

Module Code: MUSC8094
Title: Arranging 4
Long Title: Arranging 4
NFQ Level: Advanced
Valid From: Semester 1 - 2017/18 ( September 2017 )
Duration: 1 Semester
Credits: 5
Field of Study: 2121 - Music & Performing Arts
Module Delivered in: 1 programme(s)
Module Description: This module specifically looks at arranging for commercial 'concert orchestra' i.e. strings, winds, brass and percussion, with rhythm section.
 
Learning Outcomes
On successful completion of this module the learner will be able to:
# Learning Outcome Description
LO1 Write for the various textures and stylistic possibilities of the commercial concert orchestra
LO2 Use stylistically relevant harmonic devices for the given instrumentation
LO3 Apply a range of orchestral textures and exploit the possibilities of the rhythm section
LO4 Direct a commercial concert orchestra utilising fundamental conducting techniques
LO5 Analyse an orchestral score and identify and describe the discrete elements
Dependencies
Module Recommendations

This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
12359 MUSC8093 Arranging 3
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list.
No incompatible modules listed
Co-requisite Modules
No Co-requisite modules listed
Requirements

This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
No requirements listed
 
Indicative Content
Sectional Techniques
The study of idiomatic devices for small sections and combinations of instruments
Analysis
Analysis of pre-existing arrangements, identifying form, harmony, texture, and rhythmic devices in the work of such artists as Nelson Riddle, Quincy Jones, and Vince Mendoza
Scoring
Preparationof a fully-notated score and parts for commercial concert orchestra
Conducting
Employ acquired conducting skills to direct own arrangement
Module Content & Assessment
Assessment Breakdown%
Coursework100.00%

Assessments

Coursework
Assessment Type Other % of Total Mark 25
Timing Every Week Learning Outcomes 1,2,3,4,5
Assessment Description
Continuous Assessment of regular exercises.
Assessment Type Project % of Total Mark 25
Timing Every Week Learning Outcomes 1,5
Assessment Description
Analysis of an approved arrangement
Assessment Type Project % of Total Mark 50
Timing Sem End Learning Outcomes 1,2,3,4
Assessment Description
Conduct own arrangement for commercial concert orchestra and submit materials and digital recording
No End of Module Formal Examination
Reassessment Requirement
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.

The University reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full Time
Workload Type Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Lecture Contact Arranging Every Week 1.00 1
Tutorial Contact Groups no greater than 5 Every Week 0.75 0.75
Independent & Directed Learning (Non-contact) Non Contact Study and Preparation Every Week 5.25 5.25
Total Hours 7.00
Total Weekly Learner Workload 7.00
Total Weekly Contact Hours 1.75
This module has no Part Time workload.
 
Module Resources
Recommended Book Resources
  • George Burt. (1994), The Art of Film Music, Northeastern University Press, [ISBN: 1555532705].
  • by Vince Corozine. (2002), Arranging Music for the Real World, Mel Bay, Pacific, MO, [ISBN: 0786649615].
  • Sammy Nestico. (2015), The Complete Arranger, Rev.. CreateSpace Independent Publishing Platform, [ISBN: 978-1502745118].
  • Berklee Press; 1st edition (September 1, 2002). Reharmonization Techniques Paperback, [ISBN: 978-063401585].
This module does not have any article/paper resources
This module does not have any other resources
 
Module Delivered in
Programme Code Programme Semester Delivery
CR_GPOPM_8 Bachelor of Arts (Honours) in Popular Music 8 Elective